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PENTATHLON SEMESTER 1

As an experiential component of College Park Arts Scholars, I attended a selection of five art events during my first semester. These events ranged in art mediums and each sparked dialogue among my peers. 

IN THE HALLWAY, A VIRTUAL SALON EXHIBITION

September 20, 2020

This virtual salon-style exhibition features the work of many southern and Caribbean visual artists and explores the multitude of meanings that the word “hallway” can hold in people’s lives. The curator of the exhibition wrote that the word reminds her of the lengths of hallways in her great grandfather’s house which she described as “a shrine, a private monument to the people and places that make up our interior lives.” In addition, the use of “hallway” in this exhibit is meant to represent the passage of time connecting past, present, and future, specifically in the context of history, culture, and migration. Firstly, I found this diverse body of visual work to be incredibly powerful. Each of the individual works leaves me with a lot to think about; some pieces portray Confederate statues being removed from their pedestals or civil rights protests while others focus on topics of family or identity. I was able to draw many connections between this work and my major because history, culture, identity, etc. are all very important areas of study within the field of sociology. I highly encourage anyone with a little free time and internet access to spend some time checking out this virtual salon. There is also a space within the website where viewers can share their thoughts through written or visual responses to several prompts about the exhibition! #VisualArt


https://www.rootsvirtualsalon.com/

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TELL ME WHO I AM, DIRECTED BY ED PERKINS

October 1, 2020

For my second pentathlon event, I decided to watch a documentary film on Netflix entitled Tell Me Who I Am, which tells the story of a pair of twins--one of whom experiences amnesia during adolescence and must rely on his brother to reconstruct memories of their somewhat troubled childhood. The twin with the intact memory decides that it is best that his brother doesn't remember how they were abused as children and instead tells of an idyllic childhood, however, this causes problems later in life when the twin with amnesia finds out that everything he thought he knew about himself was based on lies. This film was incredibly thought-provoking because, for most people, the idea of losing all of your memories and therefore your entire identity is very difficult to grapple with. It also has some connection to my major (sociology) because it discusses how we construct our identity and how that is influenced by our lived experiences. #Film

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HALLOWEEN ORIGAMI NIGHT, AN ARTS ADVISORY BOARD EVENT

October 13, 2020

Recently, I helped plan and attended a Halloween-themed origami event hosted by the Arts Advisory Board. In elementary school, I learned how to do some extremely basic origami (such as making a cup) but never really progressed much further than that. I was always impressed with the people who were able to make paper cranes and turtles but it seemed very intimidating and clearly required a lot of precision. That is why I was so excited to participate in this AAB event; it was the perfect opportunity to be walked through some really cool origami, step-by-step, in a no-pressure environment where almost everyone else was a beginner as well. Obviously, construction paper is not the best for doing this kind of art so my bat and pumpkin weren’t as pristine as I’d hoped, but this was a really fun experience that proved to me that anyone can learn a new art/craft if they want to! I also feel like that sentiment connects very deeply to Arts Scholars in general because there is so much encouragement to try new things within this program. #VisualArt

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ARHU ALUMNI CAREER CHAT: MUSEUMS

October 21, 2020

This October, I attended a “virtual career chat” with alumni from the College of Arts and Humanities at UMD who are now employed at different museums across the country. Although I am majoring in sociology under the College of Behavioral and Social Sciences, I am minoring in arts leadership and am very interested in pursuing a career related to museums or other arts-related institutions. I learned so much from hearing about each of these individuals’ experiences and the conversation ranged from panelists’ experiences as undergraduates, finding internships, networking, applying for full-time positions, and considering graduate school. They also discussed their day-to-day responsibilities at their respective museums which was fascinating to hear about since each of them have performed vastly different duties, ranging from curatorial work to public affairs and more administrative operations. Though I still can’t say for certain exactly what type of job I want to pursue after graduation, this career chat was extremely beneficial in that it provided a lot of honest advice about what to expect in the arts administration/cultural institution field and all of the panelists were once in my shoes as a student at Maryland. #Presentation


(Note: I would have taken a screenshot while attending the Zoom event but one of the panelists requested that the session not be recorded so I wanted to respect their privacy!) 

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CHILL WITH A QUILL ARTHOUSE

November 17, 2020

For my fifth and final pentathlon event of the semester, I helped plan and attended an Arts Advisory Board event over Zoom entitled “Chill with a Quill.” The event was intended to be a relaxing break amid a very busy and stressful time during the semester. We started the event by sharing a few poems, some of which were winter-related. I shared “Winter Poem” by Nikki Giovanni with the group. Then, we offered several writing prompts for people to engage in during the Arthouse; participants were encouraged to write a poem inspired by the works shared at the beginning of the event or to draft a letter to their future selves reflecting on their lives currently. I chose the latter option and I found it to be an extremely cathartic experience. This year has been extremely challenging, particularly when it came to staying on top of school work and reeling from the death of a loved one over the summer. Suffice to say, I had no shortage of things to write about. I wasn’t especially keen to share my exact writing with my peers but I appreciated that the event ended in breakout groups where we could discuss the prompts we chose and why. Little experiences like these are what makes Scholars still feel like a community, even if we’re all just staring through computer screens from our bedrooms at home. #Literature

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PENTATHLON SEMESTER 2

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THERE WILL BE BLOOD, DIRECTED BY PAUL THOMAS ANDERSON

February 6, 2021

This weekend, I decided to stream a movie on Netflix from home for my first Pentathlon event of the semester. After much deliberation, I decided to watch There Will Be Blood, a 2007 period drama directed by Paul Thomas Anderson, starring Daniel Day-Lewis. Much of the film takes place around the turn of the century and early 1900s as it tells the story of a silver prospector in the American “Old West” who eventually discovers oil in a largely undeveloped area of California and quickly establishes a highly successful oil company. While I don’t want to spoil too much of the story for anyone who hasn’t seen it themselves, the film struck me as a very compelling commentary on capitalism, industrial development of the frontier, the effects of each on both the landscape and the people involved, and morality/ethics. What begins as ambition for the business man becomes an unrelenting competitiveness that ultimately wreaks havoc on his mental stability, his closest relationships, the people participating in his oil operation, and his reputation. By the end of the film, the main character is overwhelmingly wealthy but wholly unfulfilled and overcome with bitterness. Since I finished watching the film, I have been thinking a lot about what the filmmakers may have been trying to say about the consequences of capitalism and the pursuit of wealth, or the American Dream.


While this film doesn’t necessarily connect to my major or Arts Scholars, I like to think about how movies like this one involve the intersection of so many different forms of art – the visual art of the cinematography, the music of the film score, and the writing of the script. The music of There Will Be Blood was particularly striking. The film score was done by Jonny Greenwood, the guitarist and keyboardist of the band Radiohead, and you can hear the influence of the band’s relatively experimental alternative sound. At some of the film’s most precarious and climactic plot points, Greenwood’s score adds a tremendous amount of suspense. #Film

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TED TALK: "HOW I MAKE PAINT FROM POISON"

February 28, 2021

For my second pentathlon event of the semester, I decided to watch an arts-related TED talk by John Sabraw entitled “How I make paint from poison.” When I was scrolling through the list of videos, it was this title in particular that grabbed ahold of my attention. Though not completely related, it reminded me of the sometimes very dangerous substances that my friends who are painters often engage with for their artistic practices, including pigments made from lead that need to be handled very carefully. In his presentation, Sabraw tells the story of how he came up with the idea to use the highly toxic acid sludge that seeps out from abandoned mines in Ohio to create his very own pigments to paint with in his studio in an effort to offset harm to the environment. After his initial inspiration, he met with numerous scientists and experts in the field to discuss the possible applications of this substance. Then, along with his team, Sabraw experimented with different processes including firing the toxic byproduct for short periods of time in order to create a set of pigments ranging from a yellowish ochre to a stunning violet hue. Now, he is able to use these pigments in his own paintings and has partnered with the Gamblin paint company to produce them on a slightly larger scale. I thought Sabraw’s concept was incredibly intriguing and innovative. It made me think about how the very first pigments were created by humans using things like berries or other materials found in nature. Though unnatural, things like the toxic sludge Sabraw uses are an unfortunate part of nature now and are here to stay for the foreseeable future. This presentation changed my perception of the arts in that it demonstrated that you can take art and activism beyond just raising awareness of an issue and actually take meaningful action. The embodiment of “creative solutions,” Sabraw’s innovation also demonstrates the impact of cross-disciplinary work, an idea that has come up a lot in Arts Scholars. I feel like people often think that topics like science and the arts are mutually exclusive but, clearly, there is much to be explored at their intersection. #Presentation

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WILD AND UNTAMED: DUNTON’S DISCOVERY OF THE BALTIMORE ALBUM QUILTS, 

AN EXHIBITION

March 12, 2021

Last Friday, I had the pleasure of visiting the Maryland Center for History and Culture in Baltimore, Maryland. I visited several current exhibitions on view, including Discover Maryland and Flickering Treasures: Rediscovering Baltimore’s Forgotten Movie Theaters, but it was Wild and Untamed: Dunton’s Discovery of the Baltimore Album Quilts which truly captivated my attention and bore the greatest connection to Arts Scholars in my opinion. The exhibition told the story of Dr. William Rush Dunton, Jr., a man who is known for pioneering the field of occupational therapy in the early 20th century. He had a lifelong appreciation for needlework and quilts – most likely from his mother, who was very skilled – and he eventually came up with the idea to incorporate textile crafts into his treatment of women suffering from anxiety, depression, and other mental health issues at Sheppard and Enoch Pratt Hospital in Maryland. He conducted a vast amount of research on Baltimore album quilts, a style of quilting that was hugely popular in the Maryland region in the 1840s and ‘50s and involved many quilters working on individual squares that would be combined into a larger work of art which was usually presented as a gift to commemorate someone loved or respected by the community. I have always been interested in textile art but seeing these incredibly intricate and colorful quilts up close made me really want to try learning applique. This exhibition also really reminded me of how much Arts Scholars underscores the importance of interdisciplinary art. Dunton’s idea to incorporate this form of art into his therapy treatment might make perfect sense in 2021 but it was a fairly new concept at the time. It always inspires me that art can cut across different fields and be useful to various causes that you might never expect, and this goes to show how far thinking a little bit outside of the box can take you. #VisualArt

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AAB SLAM POETRY NIGHT

April 6, 2021

Last Tuesday, I attended the Arts Advisory Board’s Slam Poetry Night event. Amid an extremely busy week, it was actually a really enjoyable reprieve from all of my other assignments and a great way to connect with my fellow Arts Scholars. The event was held over Zoom and in the week or so leading up to it, there was an online sign-up sheet where people could register to share their own original poetry or recite someone else’s work that they admire. The event began with a Mad Libs-style poetry game in breakout rooms which was a really nice way to “break the ice.” Honestly, I was very surprised how many people were willing and eager to recite poetry because I am not a big fan of public speaking, let alone sharing such personal poetry! I was also really stunned by how powerful some of the poems shared were. The skill and vulnerability exhibited in the poems was also extremely compelling. The subject matter of each varied greatly from school, upbringings, and other existential worries. I don’t write regularly anymore but I used to be pretty fond of writing poetry and this event left me wanting to return to it. This event also was really inspiring because it shows how you can still have a sense of community and share the power of art even in a strictly virtual environment amid the pandemic. It will definitely be nice to be able to attend performances and poetry readings in person again one day, but we are truly very lucky to still be able to put on events like this and connect with one another over Zoom. #Literature #ArtsScholars

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ART BEHIND BARS: A SHOWCASE & DISCUSSION OF WORK BY INCARCERATED ARTISTS

March 24, 2021

This semester, I had the pleasure of attending Katie Rees’s excellent Zoom presentation on her capstone project, which showcases the work of incarcerated artists in collaboration with Justice Arts Coalition. I found both the artwork and learning about the organization extremely interesting. I think that the average American’s understanding of what it is like to be incarcerated is very distorted as a result of various portrayals on television and media, and unless you personally know someone who is in that position you probably know very little about the conditions they are subjected to – not to mention their own thoughts and feelings about it in general. In this case, the participants’ art serves as their vehicle for self-expression and, when showcased by groups like JAC, provides the average person a much more honest and intimate view of the United States carceral system and what it means to be powerless within it. I think this goes to show how powerful art can be as an activist tool, which is something that we have returned to time and time again in Arts Scholars. In the time that has passed since I attended the event, I have been considering what other situations or groups of people that this model of using art to give people voices and raise awareness could possibly be applied to. #Presentation #ArtsScholars

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